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Unit 06 (coming up): The seasons test

You ask the machine about your project's place, topic or people, without giving it anything. You hunt down what it made up, fix it in an infographic, and the fix goes into your project.

  • Week 7
  • II · Voices
  • infographic
  • Reconciling tensions and dilemmas

Listen to this Unit

The whole Unit, read aloud.

How it will run
and again: the second attempt Anticipate Act Reflect
  1. AnticipateYou write the prompt by hand, and what you think will come out, before touching a device.
  2. ActThe prompt runs on the Learning Facilitator’s account and device, projected for the classroom, and the piece comes out.
  3. ReflectIt is checked against the Unit’s criteria: did what you anticipated come out? Did the prompt get better, or the question?

The three phases align with the Anticipation–Action–Reflection cycle proposed by the OECD, which the OECD itself presents as a general orientation, not a proven method.

Unit 06 · The seasons test

Week 7 of the program · 45 minutes · 10th and 11th grade · every project, alone or in a group.

What you’re going to do

You put the machine to the test with something your project knows first-hand. You choose what:

  • the place where your project lives (suggested for 10th);
  • the people it’s for, or someone like you who thinks what your project stands for (suggested for 11th);
  • the topic of your project: a sport, a trade, a kind of music, a question.

First, without screens, you describe it from memory: ten features. Then the machine is asked the same thing, with no context at all. And you hunt down what it made up. If your topic doesn’t lend itself to this, your table tests a place everyone knows, without naming it.

Why it’s worth it

The machine talks very confidently about places and people it doesn’t know. If you learn to see what it invents, what it assumes and what it doesn’t know, it can’t slip anything past you. And what you correct makes your project truer.

How the session goes

  • Anticipate. Ten features on paper, from memory, and what you think the machine will say. Before asking it, the budget goes on the board and a check out loud: the instruction doesn’t carry the name of the school, the neighborhood or anyone.
  • Act. The person guiding the session asks the question, one per table, and the answer is read aloud. What it gets right is surprising. Then the audit in three columns: invented · assumed · doesn’t know. And a one-page infographic, by hand: “what the machine believes” versus “what it is”.
  • Your project. On your card: the correction only you can make, and where it goes into your November version.
  • Reflect. Two infographics, read aloud, against the criteria. “What did the AI decide here that a person should have decided?”
  • No screens. The ten features and your hypothesis are written with no phone, computer or AI, and that’s also where you decide how many instructions will be made and what they will never carry. Your sheet is the yardstick you then audit the machine with.

The criteria, as questions

  • C1. Does everything the machine said have its label: invented, assumed or doesn’t know?
  • C2. Does each correction come from what you know, and not from some other outside source? (11th: and do you avoid swapping one stereotype for another?)
  • C3. Does the correction go into your project, and can you say where?

What you decide

One generation per table, text only; an image only if the project is visual and the table can justify it. It’s counted on the board. The audit and the correction are yours: the machine only guesses.

If your project is without AI

You run the same test, with the same criteria, on a source without AI that generalizes about your place, your people or your topic: a leaflet or a guide, an encyclopedia entry, an article, a textbook, a stock photo bank, or what someone from another table who doesn’t know it says from memory. First your ten traits; then the source, read aloud; and the same audit: made up · assumed · doesn’t know. If you prefer, you can audit what the machine answers your table instead, without using it yourself: you decide. In the listening, the question for you is: what did you decide, and why?

For inspiration

  • What only lives here — an infographic so someone from outside understands why something from here matters.

Careful

We only work with what the machine says here, in the room: no outside figures. If the machine comes out with a hurtful stereotype, it’s cut off, named and analyzed for what it is. Nobody in the group is the example. No faces of real people are generated.

This is a plan: the Unit hasn’t run yet.

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